Entrances
form an initial impression when guests arrive as well as a lasting
impression when they leave. Preston Studios has been creating
entrances since 1986. Each is considered a unique work of decorative
art.
See Video on Preston Entrances at YouTube.com
With an aqua-green tile roof, the color scheme for the exterior
of this residence was established. The four inch border in the
sidelights was matched with a four inch border of green marble
set into the floor. Beveled glass and clear "Spectrum Baroque"
were used throughout. Completed in 1991.
A Lansing Island residence, this design reflects the tropical
nature of flora found in East Central Florida. The motif was
the White Bird of Paradise.
Entrances can have two sidelights and one door or two doors
- the cost remains the same.
Commissioned
for the Brevard Symphony Orchestra's Showhome in 1990, this
grand entrance is elegant, yet relaxed. The lady of the house
specifically requested something that was not overly formal
- the result was the elongated "grasses" referencing
native flora.
An italianate approach using cathedral gray glass for the background
with peach colored pencil-bevels compliments the Mizner-inspired
architecture of the home. Classic Homes; March 2001.
Actually, this is just the entrance into a wine cellar. The
work compliments other pieces commissioned for the home of a
well-known pro athlete.
A design inspired by Frank Lloyd Wright, this entrance was
derived from the existing leaded glass chandelier. The work
compliments American Craftsman approach to interior design
with Stickley-style furnishings. April 1999.
A Lansing Island residence, the approach to this entrance was
quite contemporary.
"Off the shoulder art deco with a classic twist"
is how we refer to this design.
Designed to compliment the Art Deco theme of this former school
building, Preston Studios created an entrance which immediately
tells the viewer that this is an arts facility. September 1999.
This entrance graces the
cover of the book
now available about Preston Studios by Wardell Publications.
Working with Toni Mays Interiors, the studio reworked themes
from two earlier entrances into this lush result. August 2001.
In collaboration with Toni Mays Interiors, Preston Studios worked
with the existing chandelier and the sea-shells imbedded into
it to create this thematic commission. March 2001.
The design impulse for this entrance was based on the Chinese
Fan Palm. Created using no color, the work features a myriad
of textures and bevels. The wood stain on the doors accentuates
the elegance of the glass and compliments the marble floor.
Commissioned by McWilliams Developments Inc. in 1998, this large
work includes hand painted and fired pieces by Stanley Klopfenstine
Studios. This gives the entrance a "European" flair.
Toni Mays Interiors; March 1998.
"Venetia"
Completed December 1998, this entrance features hand painted
and fired leaves by Stanley Klopfenstine Studios. Venetia leans
to the more European sentiments of today's larger estates. This
design includes doors over ten foot tall! Carol Chandlers Interiors.
Working with a client who had at one time been an authentic
Russian Princess, Preston Studios worked to create a design
which woud reference Imperial Russia. Classic Homes; May 1998.
Commissioned by an importer of Italian furnishings, this entrance
was designed to compliment the Italian chandelier. Using "Infinity
Bevels" in the sidelight and transom surround, circles
were repeated in the door, as well. Charles Boyd Homes; March
1991.
Commisioned by a builder for his own residence, this work reflects
the vague outline of a base violin - reflecting the musical
interests of the owner. Champage "Baroque" glass by
Spectrum gives this entrance a distinctive tone. April 1997.
This design was inspired from a collector's plate with the Oriental
Goddess figure on it. This entrance was created in two phases;
first, the transom and sidelights were completed, then the second
door was produced. Oriental Goddess was created using Spectrum
"Baroque" glasses in various earth tones.
The design impulse for this entrance was, once again, Frank
Lloyd Wright. However, both the home owner and the interior
designer, Michael Gainey, wanted somethingless structured.
Painted and fired leaves by Stanley Klopfenstine helped "soften"
the look successfully; January 2002.
With beveled glass pineapples as a symbol of welcome, this 1992
entrance sets a tropical tone with verdant greens. The Wasdin
Group; October 1992.
Commissioned by the developer to reflect the natural flora and
fauna found on the property, this work was also meant to convey
a bit of "Old Florida." April 1990.
Inspired indirectly by the Ringling residence Ca'Dzan in Sarasota,
this entrance includes sparkling water behind it - which glitters
through the glass in the entrance. This very modern abstract
interpretation also has pastel "antique" glasses for
a colorful result. Classic Homes; October 1994
The Thompson entrance is extravagant and enormous. The work
features a classic assemblage of various flowers: roses, datura,
lilies, morning glories, and iris, among others. Classic, yet
colorful. We worked with Liz Harris of Designers West Interiors,
and Gary Schull Construction on this project. January 1990.
Doors, sidelights, and transoms form and important architectural
element in today's homes and businesses. This entrance helps
form a spectacular initial impression when guests arrive as
well as a lasting memory when they leave.
Inspired by the client's collection of Erte' and Mackenzie-Childs,
this work includes all-new materials (glass). Colorful bevels
and bevel sets add to the brilliance of this entrance. Classic
Homes; January 2002.
Created for privacy and budget, this entrance was completed
at a cost of under $3,000 in 1991. The beveled glass borders
and transom add brilliance, while the Peach "Baroque"
spectrum border glass compliments the tones of the Spanish floor
tiles. Charles Boyd Homes.
Interior design by Designers West Interiors; June 2000.
